UK Foreign Secretary Boris Johnson’s latest offensive remarks triggered fresh calls for his sacking. But Johnson’s attitude is not exceptional. His callous comments on Libya are indicative of a mendacity towards the Middle East and North Africa that runs deep in the Conservative party and the UK’s wider political establishment.
At a fringe event for business people at the Conservative party’s annual conference, Johnson outlined his belief that Libyan city Sirte has the potential to emulate Dubai. He claimed to have met of “a group of UK business people, some wonderful guys who want to invest in Sirte…all they have to do is clear the bodies away”. Johnson chuckled at his own wit.Continue reading →
Two London-based community organisations honoured the young people of North Kensington at the weekend. At an event on Ladbroke Grove, local children affected by the 14th June Grenfell Tower fire and its aftermath showcased their creative skills and public speaking abilities.
The children were given a platform to reflect on their experiences of the summer after the Grenfell disaster. Many of them had benefited from trips away from West London, funded and organised by Baraka Community Association (BCA) and Worldwide Somali Students & Professionals (WSSP). The trips included a residential at Hindleap Warren, visits to Legoland, Chessington, Butlins and Thorpe Park.
Over a hundred days have now passed since the unprecedented fire on the Lancaster West estate, which claimed scores of lives, including friends of the children present.
The young people were set the task of designing posters to express their feelings experiences during summer 2017, presenting them to a panel of judges that included Kensington MP Emma Dent Coad. Contestants were judged on their artistic ability, literacy and presentation skills.
After much deliberation and disagreement, the cash prizes went to:
Third prize: Aisha, aged nine, for her poster ‘Asia, Africa’.
Aisha reflected on getting far away from North Kensington to Dubai, Kenya (which she described as ‘boring’ – sorry Kenya) and Somalia. Aisha gained the judges’ praise for her lively, confident presentation.
Second prize: Abdullahi M, aged nine, for his poster ‘My Sad but Amazing Summer’.
Abdullahi described the events of 14th June as they had unfolded for him, talking about his mother’s tears, and the united local community. He ended his presentation with the words “peace and love for the community of North Kensington”.
First prize: Hussein, aged 13.
Hussein received first prize for his combination of a brilliant design and a very eloquent presentation, outlining how each section of his picture linked together, and explaining the abstractions to the audience and judges.
The prizes were awarded by Emma Dent Coad MP, who hailed the organisations involved and the families in attendance, noting that they were doing “what we all want to do: making the most of ourselves and our children”.
The event showcased the effectiveness of well-established and well-connected community groups. Already up and running and filling in gaps in provision long before the Grenfell fire, these organisations were in place to provide much-needed support and relief when North Kensington was shattered by the events of June 14th. When government services were most needed, they were found wanting, but the community was able to provide some essential presence.
WSSP’s Director Kasim Ali said: “The aim was to help children cope with the Grenfell disaster by talking about it and expressing themselves artistically. At the same time they learned lifelong skills such as design, presentation and public speaking”.
The other talented children taking part and so close to winning were:
As Abdullahi M said: “peace and love for the community of North Kensington”.
Carlos Santana, Prodigy, Grand Master Flash. Whitesnake and Jellybean Benitez. What’s the connection?
The band Babe Ruth.
♩ ‘Chico Fernandes, Sleepin’ on his gun’… ♪
I’m honoured to have been able to conduct this interview for Urban Dandy and for DJs and music lovers everywhere as it is very personal to me meeting with a group that contributed to such a joyful time in my childhood. In fact, the whole thing turned out to be more of an insightful and flowing discussion with lots of laughs and a journey down memory lane really, making sense of musical things that at the time I was too young to understand. After listening to over two hours of raw audio, time constraints forced us to edit down some of the gems we received. That, coupled with the compromised audio (my fault) made it a task to expeditiously deliver these wise and inspiring words, but luckily, in no way did this affect the essence of our interview with the legends. We hope you enjoy.
Janita Haan is the lead singer in the band. Along with David Punshon Keyboardist, the two of them make up a significant portion of Babe Ruth. Both of them co-wrote and/or performed major parts in the composition of a host of great songs they released including the classic of 1972 ‘The Mexican’. Not that it’s all about The Mexican but that song, in particular, is a very important part of the band’s identity. If you’re not familiar with the cultural reach of the genre fluid masterpiece, it’s high time you explored it further as it is a cultural study in and of itself. Me: the song pierced my soul through a window called Hip Hop, for some it may have been Rock, Latin or maybe even a house mix. Yet the unintended world B Boy anthem was recorded here on UK soil, which makes it even more fascinating and dissident in its form, much in accord with the band itself-Babe Ruth.
Janita Haan: I‘m from England but my formative years were in California.
UDL: Do you think that had a lot of influence on your music?
Janita Haan: Oh yeah. I mean for me it was. I think I’d just finished high school but I wanted to sing, really wanted to sing, and around that time I was in the Bay area around Santana, Janis Joplin, Miles Davis,Sly And The Family Stone, Jefferson Airplane. It was lovely, it was just fantastic, musically for me, you’d get the feel of Candlestick Park, I used to bunk off school and go down with a frisbee to the park.
It was a magical time, especially when I came back to England the thirdSantana album had just come out,so all I had with me when Icame back was the album to make me break my way through, (laughs)I didn’t know anybody.
So I had to start from right at the bottom to make connections, I was only 18, it was pretty scary for me.
UDL: Was there a level of Intrigue about you coming from America to England? People are normally fascinated with someone being from somewhere else. Were you the American girl?
Janita Haan: Well, I suppose with California because I was a California hippy. At that point, I was back with my English family and that freaked them out cos I was just this wild child. They kicked me out after a bit so I had to find my own way, that was a bit scary but I knew I wanted to sing. I came across some lovely people along the way. Once I came across this little studio I can’t remember where it was but they would allow me to come after sessions at night because I had to work to earn some money to pay my rent, but I hadn’t much left after that (laughs) I had about two quid to get food and everything which wasn’t much. Back in the day, the tubes were not like they are now, you could hop on and off.
So this little studio place would let me go in after hours and practice with their mics, then I got enough confidence to answer ads in the Melody Maker. It was very scary I hadn’t been in a band before then.I answered an ad for a Band called March Hare, I nearly got the gig for that. I didn’t quite get it and the next one after that was for Shack lock… Babe Ruth used to be called Shack Lock. Dave Hewitt answered the phone and said ‘What are you like’? and I said I’m 5ft and I play the congas (laughs). Cos I hitched up and down California and one time I was out there with these Hells Angels and they had me play congas. So they came to… where did you come to, Finch House was it?
Dave Punshon: I think so, we turned up and all I remember is your tea set it was like really, really Mary Poppins, all quaint China and I thought ‘Wow! That’s ornate’. Continue reading →
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This document was recently published on the Home Connections website under the Royal Borough Of Kensington section. It attempts to clarify the councils intended mode of operation regarding rehousing the victims of the Grenfell disaster.
As odd as it seems, I fail to find a lack of integrity here. However, we feel that it’s the duty of everyone under social housing, surrounding the Lancaster West Estate in the w10/w11 area and beyond, to check this document for compliance.
At first glance, it is difficult to imagine Matt Okine having the discipline and drive to rise in the early hours for three straight years to host a national radio breakfast show. His easy style and unflustered lyricism belie what must be a fierce work ethic and creative urge. But this is what Okine does: laziness is his mask, the lie that he uses to present his truth.
The Australian is much decorated and lauded for his acting and stand up, and is a serious all-rounder: he presents a cookery programme on TV and raps as part of Boilermakers. Okine’s success sees him sell out comedy shows wherever he performs and now he is back in London at Soho Theatre, ostensibly talking career changes, but there is much more simmering under the surface in his show ‘We Made You’.
The opening night at Soho saw Okine in full flow for a full hour. This was a comedian who delivers with clarity and panache. Virtually non-stop, the intensity of his performance was complemented by his laid-back style, giving him an authentic edge, sympathetic and apparently very real.
There was a conspicuous lack of confrontation during Okine’s hour on stage, with any aggression reserved for rants at potatoes, crabs and other sources of nourishment and irritation – food being his favourite subject. His charming, disarming ease with the audience meant the Soho Theatre was quickly relaxed, with plenty of laughing out loud, while Okine kept an emotional distance, never quite straying in to vulnerability, although he hinted at pain throughout the hour.
Matt Okine’s light touch works as a layer above an undercurrent of tension. He expressed a struggle between the real person and the personality adapting to the modern world and its absurdities. The silliness of mainstream popular culture formed the basis of Okine’s act: exotic crisp flavours, eight-hour binges on TV cookery programmes, social media and the rest. All this was done without criticism, Okine being the passive and innocent consumer, with the effect of him being far funnier than any comedian attempting to intellectually deconstruct consumer culture.
Okine occasionally juxtaposed his light-hearted observations with revelations of his inadequacies and insecurities: body image, hair loss, ethnic identity and facing his contradictory relationship with his father. What can you say and what can’t you say? Again, the tension between being authentic and adapting to modern life, with the mask of a media savvy, successful 30 something.
There is something of the nihilist in Okine. Or perhaps it is that he reveals a strange western digital age mass nihilism in which we have so little control over our lives and environments that we sink into the minutiae of our particular preferences and irritations as a way of avoiding the facts of our mortality and the moral bankruptcy and degradations of consumer society.
Whatever, he’s very funny, a natural, and this show is highly recommended.
See Matt Okine: We Made You, at Soho Theatre, London until 29th August.
“Литературное кафе” — блог Алексея Марковича, где автор выкладывает фото и видео со своих творческих встреч, а также спектакли, поставленные по его произведениям. MarkovichUniverse СОБАКА gmail ТОЧКА com