Aisha and the Sea



Oh! Sea you are so powerful

I am so small

Waves rush past me,

like the fleeing

Gently receding, pulling sand over my toes

embedding me once more into this earth,


Innocent unpolluted air filling, cleansing my lungs

from the dark soot of pain

that clings to my soul

like limpets upon rock

for fleeting seconds

I forget that beacon of despair

it is washed from my mind,

feeling one with nature, the sea


Staring towards the horizon

reclaiming, restoring my hopes, my dreams

nightmares briefly extinguished

by this planet’s womb-like amniotic waters,

everything so perfect here

Mother smiling with her eyes

that sparkle again

twinkling like the sun’s glistening rays in the surf,


I am a child again!

No longer old before my time

Oh! Sea you are so beautiful

I am so small…


M.C. Bolton, September 2017




The Mexican Effect: Exclusive Interview With Babe Ruth

A musical break from it all.  


Carlos Santana, Prodigy, Grand Master FlashWhitesnake and Jellybean Benitez. What’s the connection?


The band Babe Ruth. 


 ♩ ‘Chico Fernandes, Sleepin’ on his gun’… ♪


I’m honoured to have been able to conduct this interview for Urban Dandy and for DJs and music lovers everywhere as it is very personal to me meeting with a group that contributed to such a joyful time in my childhood. In fact, the whole thing turned out to be more of an insightful and flowing discussion with lots of laughs and a journey down memory lane really, making sense of musical things that at the time I was too young to understand. After listening to over two hours of raw audio, time constraints forced us to edit down some of the gems we received. That, coupled with the compromised audio (my fault) made it a task to expeditiously deliver these wise and inspiring words, but luckily, in no way did this affect the essence of our interview with the legends. We hope you enjoy.






Janita Haan is the lead singer in the band. Along with David Punshon Keyboardist, the two of them make up a significant portion of Babe Ruth. Both of them co-wrote and/or performed major parts in the composition of a host of great songs they released including the classic of 1972 ‘The Mexican’. Not that it’s all about The Mexican but that song, in particular, is a very important part of the band’s identity. If you’re not familiar with the cultural reach of the genre fluid masterpiece, it’s high time you explored it further as it is a cultural study in and of itself.  Me: the song pierced my soul through a window called Hip Hop, for some it may have been Rock, Latin or maybe even a house mix. Yet the unintended world B Boy anthem was recorded here on UK soil, which makes it even more fascinating and dissident in its form, much in accord with the band itself-Babe Ruth.








Babe Jan



UDL: So where are you from?


Janita Haan: Im from England but my formative years were in California.


UDL: Do you think that had a lot of influence on your music?


Janita Haan: Oh yeah. I mean for me it was. I think I’d just finished high school but I wanted to sing, really wanted to sing, and around that time I was in the Bay area around Santana, Janis Joplin, Miles Davis,  Sly And The Family Stone, Jefferson Airplane. It was lovely, it was just fantastic, musically for me, you’d get the feel of Candlestick Park, I used to bunk off school and go down with a frisbee to the park.

It was a magical time, especially when I came back to England the third Santana album had just come out, so all I had with me when I came back was the album to make me break my way through, (laughs)  I didn’t know anybody.

So I had to start from right at the bottom to make connections, I was only 18, it was pretty scary for me.


Candlestick Park – San Francisco


UDL: Was there a level of Intrigue about you coming from America to England? People are normally fascinated with someone being from somewhere else. Were you the American girl?


Janita Haan: Well, I suppose with California because I was a California hippy.  At that point, I was back with my English family and that freaked them out cos I was just this wild child. They kicked me out after a bit so I had to find my own way, that was a bit scary but I knew I wanted to sing. I came across some lovely people along the way. Once I came across this little studio I can’t remember where it was but they would allow me to come after sessions at night because I had to work to earn some money to pay my rent, but I hadn’t much left after that (laughs) I had about two quid to get food and everything which wasn’t much. Back in the day, the tubes were not like they are now, you could hop on and off. 

So this little studio place would let me go in after hours and practice with their mics, then I got enough confidence to answer ads in the Melody Maker. It was very scary I hadn’t been in a band before then. I answered an ad for a Band called March Hare, I nearly got the gig for that. I didn’t quite get it and the next one after that was for Shack lock… Babe Ruth used to be called Shack Lock. Dave Hewitt answered the phone and said ‘What are you like’? and I said I’m 5ft and I play the congas (laughs). Cos I hitched up and down California and one time I was out there with these Hells Angels and they had me play congas. So they came to… where did you come to, Finch House was it?



Classifieds page from Melody Maker (70’s)



Dave Punshon: I think so, we turned up and all I remember is your tea set it was like really, really Mary Poppins, all quaint China and I thought ‘Wow! That’s ornate’.  Continue reading

I’m Spartacus


Herded into the arena

bloodied by poverty’s lash

sand soft between our toes

as we march into the stadium of despair

mentally chained by our delusion of freedom,

divided into race, faith, nation, class

then pitted against each other

For our rulers’ pleasure


But many refuse to fight

Us – the truly dangerous ones

instead pointing upwards to the audience

of those that truly despise and fear us


Yet you who plunder our homes, invade our streets,

Women who tightly clutch their handbags

staring at the pavement in terror

for surely we are all vagabonds, cutthroats and thieves!

Suited men who’s bowels loosen

when passing our urban-talking youth

who defend their postcode by the same extreme violence 

that the state metes out to them with impunity,


We who are crushed on every side

surrounded by avarice and greed

by disciples of the latest fad,

drinking alfresco skinny lattes on Westbourne Grove

the need to be scenes,

our wrath slowly being squeezed

accused of sour grapes, lacking aspiration,

Yet it’s our blood that makes your wine

with which you wet your lips

as you toss us your scraps,

we who slowly devour and destroy one another,


But Spartacus is rising

resurrected like a phoenix in the flames

our sight restored by tragedy

injustice the fire that burns brightly

inside compassionate indignant hearts,

shaking those who’s God is mammon


Yet it’s not your eye of the needle wealth we wish to pillage

but your fraudulent sense of privilege, entitlement, arrogance and ignorance

hiding in your bunker-like basements

whilst above, homes, communities are destroyed


as we stare at our Stalingrad-like monument,

united under the banner of hope and faith,

love for our children will ever be our shield,

God’s wrath will be stirred

by the death of his innocent ones


Millstones will be prepared,

the sea’s depth beckons

those that hide behind their cloak of guilt

for this slaughter ignited a fury in our hearts

we’ll stand against your legions

we’ve buried our dead

but we will never let you bury the truth…




M.C. Bolton, September 2017


Grenfell Rehousing Policy July 2017 / Royal Borough of Kensington and Chelsea

Urban Dandy makes no claim to give legal representation of any kind and has no intention of giving advice in the field of law. All opinions are the author’s personal opinion and to be considered as just that, a personal opinion. No reference to anything written is to be deemed actual evidence and should be seen as a guideline to further investigate the nature and the result of the policy upon acceptance. We suggest that support or representation ,if any, should be supplied by accredited law experts. 


This document was recently published on the Home Connections website under the Royal Borough Of Kensington section. It attempts to clarify the councils intended mode of operation regarding rehousing the victims of the Grenfell disaster.

As odd as it seems, I fail to find a lack of integrity here. However, we feel that it’s the duty of everyone under social housing, surrounding the Lancaster West Estate in the w10/w11 area and beyond, to check this document for compliance.

Continue reading