Carlos Santana, Prodigy, Grand Master Flash. Whitesnake and Jellybean Benitez. What’s the connection?
The band Babe Ruth.
♩ ‘Chico Fernandes, Sleepin’ on his gun’… ♪
I’m honoured to have been able to conduct this interview for Urban Dandy and for DJs and music lovers everywhere as it is very personal to me meeting with a group that contributed to such a joyful time in my childhood. In fact, the whole thing turned out to be more of an insightful and flowing discussion with lots of laughs and a journey down memory lane really, making sense of musical things that at the time I was too young to understand. After listening to over two hours of raw audio, time constraints forced us to edit down some of the gems we received. That, coupled with the compromised audio (my fault) made it a task to expeditiously deliver these wise and inspiring words, but luckily, in no way did this affect the essence of our interview with the legends. We hope you enjoy.
Janita Haan is the lead singer in the band. Along with David Punshon Keyboardist, the two of them make up a significant portion of Babe Ruth. Both of them co-wrote and/or performed major parts in the composition of a host of great songs they released including the classic of 1972 ‘The Mexican’. Not that it’s all about The Mexican but that song, in particular, is a very important part of the band’s identity. If you’re not familiar with the cultural reach of the genre fluid masterpiece, it’s high time you explored it further as it is a cultural study in and of itself. Me: the song pierced my soul through a window called Hip Hop, for some it may have been Rock, Latin or maybe even a house mix. Yet the unintended world B Boy anthem was recorded here on UK soil, which makes it even more fascinating and dissident in its form, much in accord with the band itself-Babe Ruth.
Janita Haan: I‘m from England but my formative years were in California.
UDL: Do you think that had a lot of influence on your music?
Janita Haan: Oh yeah. I mean for me it was. I think I’d just finished high school but I wanted to sing, really wanted to sing, and around that time I was in the Bay area around Santana, Janis Joplin, Miles Davis,Sly And The Family Stone, Jefferson Airplane. It was lovely, it was just fantastic, musically for me, you’d get the feel of Candlestick Park, I used to bunk off school and go down with a frisbee to the park.
It was a magical time, especially when I came back to England the thirdSantana album had just come out,so all I had with me when Icame back was the album to make me break my way through, (laughs)I didn’t know anybody.
So I had to start from right at the bottom to make connections, I was only 18, it was pretty scary for me.
UDL: Was there a level of Intrigue about you coming from America to England? People are normally fascinated with someone being from somewhere else. Were you the American girl?
Janita Haan: Well, I suppose with California because I was a California hippy. At that point, I was back with my English family and that freaked them out cos I was just this wild child. They kicked me out after a bit so I had to find my own way, that was a bit scary but I knew I wanted to sing. I came across some lovely people along the way. Once I came across this little studio I can’t remember where it was but they would allow me to come after sessions at night because I had to work to earn some money to pay my rent, but I hadn’t much left after that (laughs) I had about two quid to get food and everything which wasn’t much. Back in the day, the tubes were not like they are now, you could hop on and off.
So this little studio place would let me go in after hours and practice with their mics, then I got enough confidence to answer ads in the Melody Maker. It was very scary I hadn’t been in a band before then.I answered an ad for a Band called March Hare, I nearly got the gig for that. I didn’t quite get it and the next one after that was for Shack lock… Babe Ruth used to be called Shack Lock. Dave Hewitt answered the phone and said ‘What are you like’? and I said I’m 5ft and I play the congas (laughs). Cos I hitched up and down California and one time I was out there with these Hells Angels and they had me play congas. So they came to… where did you come to, Finch House was it?
Dave Punshon: I think so, we turned up and all I remember is your tea set it was like really, really Mary Poppins, all quaint China and I thought ‘Wow! That’s ornate’. Continue reading →
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This document was recently published on the Home Connections website under the Royal Borough Of Kensington section. It attempts to clarify the councils intended mode of operation regarding rehousing the victims of the Grenfell disaster.
As odd as it seems, I fail to find a lack of integrity here. However, we feel that it’s the duty of everyone under social housing, surrounding the Lancaster West Estate in the w10/w11 area and beyond, to check this document for compliance.
What I want from a writing group I want fun, exploration, moments of hilarity Moments of solemness, moments of wonder Moments of grief, moments from trepidation And moments of bliss I want to hear of pain and grief mine and yours I want to feel joy and fellowship Co-created with our words I want to read aloud sounds that bare/bear me as I am I want to collaborate and develop public performance of poems Prose and tales that generate and give birth to W O W,u