Electric Breakfast

Venue: Electric Diner, Portobello Road

Meal: Breakfast

Rating:

3.53.5/5

It’s 11.45am on a Tuesday in March and I’ve just come back to Portobello after moving some things into a Brentford storage unit.

Heavy work, so you’d think a full English carb fest was on my mind. Not so, here’s why…

…So, we get to the door of the Electric Diner on Portobello Road, only to be greeted by our regular (Antonio Banderas looking) waiter.  I may have appeared a bit rude as I zipped past him fully aware of the clock ticking away on our 50% local discount deal as it fast approached 12.00. I rushed past into the ready and waiting waitress. “Will you still honour the discount as it’s not yet 12 O’ clock”?  I said in a half couldn’t care less way, without revealing the fact that her answer was a remote control to push an invisible button to send me away or make me stay, just like a puppet”. ” If you order before 12.00 it’ll be fine”. She said. You’ve never seen a person sit down so quickly.

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It was about 11:52 when my guest: sweet Juliet ordered her poached eggs on toast with  avocado and a bit a lemon on the side, accompanied by a pot of mint tea to kill the chill. Note below, the avocado’s succulence. Continue reading

Eastern Philosophy for Your Western Life: The Three Gunas

By Tom Charles

For Rob – “Hold it lightly”

Walking down a busy London street, having just done one task, another to do, plus my whole life to sort out, my mind was on repeat: I’m gonna do this, gonna do that; I’ve gotta do this, gotta do that. It was not a welcome state of mind.

Another day, same grey stretch of road, a feeling of heaviness is on me, and the same fraught thoughts of what-to-do; dis-ease. Earlier that day I had been fine and dandy, so I wondered why this disquiet had attached itself to me again.

I couldn’t name the sensation and the confusion only made it worse. If I’d known what was going in, I wouldn’t have minded so much. Then I remembered something that was explained to me many moons ago: The three gunas. I understood my agitation immediately.

According to Hindu philosophy, the three gunas are the three aspects of energy that are everywhere; within us, surrounding us, defining everything here on Earth and beyond. They are qualities of being, said to underlie all natural phenomena. They are rarely spoken about here in the UK, but they are an effective way of describing the full spectrum of emotions and states that we encounter.

The three gunas are known as:

Sattva, the guna of light, in both senses of the word. It provides enlightenment to a person’s mind and it also increases light heartedness. In these ways Sattva is associated with happiness, creativity, bliss, inner stillness and alertness. You can never have too much Sattva.

Rajas is the guna of movement. In a human, it could refer to body or mind. We all need to move, anything we do requires rajas, but as we gain momentum, rajas can become too strong and we become agitated.

Tamas is the guna of heaviness, resistance, fatigue and inertia, counteracting rajas. A surfeit of tamas means sloth, boredom or atrophy.

I’d been told about the gunas some years before my satori, and had occasionally thought about them, identifying a scenario and then asking which guna best described it. After a big lunch – tamas; commuting – rajas; writing, drawing, connecting – sattva.

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Uzoma, ‘a fusion of all 3 Gunas’ by OddKinCreate

 

According to Hindu philosophy, the gunas come from the divine, or the unmanifest, oneness, no-thing, the absolute, God or insert whichever name is appropriate. The gunas are in all beings and in all nature. The three are always present in combination, but one will predominate at any given moment. Continue reading

Digital/Artist Junior Tomlin

After meeting The Kitchen Table Collective as they completed their array of Artistic expression, we stayed local and spoke with artist Junior Tomlin about art, the area and his own unique cyber style, which is on display at Vinyl Cafe, 273 Portobello Road until early 2016.

Picture from westlondonartfactory.com
Picture from westlondonartfactory.com

UD: What was your intention with the exhibition at Vinyl Café?

JT: I knew the owner Jake 20 years ago. We were looking at each other like we knew each other, and when I told him my name, he said ‘That’s it! You did a party flyer for me’.

After that, he invited me to show my work at the venue.

I sometimes call this particular set ‘From Paints to Pixels’. It’s not quite a retrospective because the much older stuff isn’t displayed; it’s all the digital stuff.

I started out working on game packaging artwork, went on to designing rave flyers, then art for music and digital colouring for cartoons.

This is the first time I’ve shown in Ladbroke Grove, where I live. There have been a few pop up galleries in the area, and a show at Selfridges of the original rave flyers. I put this art on display in Wales, at the Kickplate Gallery in Abertillery. I’ve brought it back home.

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UD: Was art your first love?

JT: Yes and it’s nice to make a living from what you love. Sometimes I want to draw more, but I have to make a living too and making money depends on how many people see and love your art. Sharing the work is one thing, selling it is something completely different…

When you have a fan base, other people get to see the work and become interested. Local support and committed art lovers both help.

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UD: What is the scope of your expression?

I can paint, gouache and acrylic, as well as my drawing and my digital work. With painting you start with a blank space, and then you gradually obliterate the white with your ideas.

Sometimes I get so transfixed on the computer that I forget my paints are right there waiting for me. But I got so tired of doing art for people and not getting it back from promoters, so I prefer computer because all I’m sending them is a file by email and I can keep what I do.

UD: How do you like to categorise yourself?

JT: (Smiling) Digital/Artist.

When you’re in a freshly made building, it hasn’t become its own building yet and you can tell. It needs time. It can be the same with art. Using a computer can create things that look great, but I like to leave traces of pencil marks, so you can tell I’ve done this, it’s not just a computer, it’s not one dimensional.

Continue reading

‘WE ARE’ ….at The Ugly Duck

 

After months of planning, The Kitchen Table Collective, who previously gave us 1x Tab Breakfast, poached egg, no mushroom 1x sides, sausage: New Stories from the Tabernacle, have expressed a touching and thought provoking exhibition through the eyes of immigrants.  The incredibly diverse quintet of Artists including Emma Mudgway, Claire Tipy and Alexia Villard successfully gave us a very personal look at the alien experience in the UK through their art.  ‘We Are’ can be seen today at The Ugly Duck Gallery at 47-49 Tanner Street in Tower Bridge.

We are here until the afternoon collecting great thoughts and insights to see what it feels like to be an immigrant.

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We’re going in.

 

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Claire Tipy and Sarah Tilotta’s collaboration, ‘Where Do You Think I Was Born’, seen in motion. Each actor contributed their own heartfelt monologue and drew us totally in. Continue reading

Folk and Mirrors

A deep psychological journey into a cosmic waltz (Buckle up)

So what is the value and nature of truth on earth? In asking this question with some research one realises that most people today are only equipped to run from it and have become inured to finding refuge in lies to protect the all important ego.

Richard Bandler is one of the fathers of Neuro-Linguistic Programming (NLP). He studies the natural communication between people, the psychological affect of the experience and how to consciously steer it to make the results more desirable for the individual. In his practice he often uses ‘Mirroring‘. Mirroring is a natural mimicked response to another’s way of communication towards them. Although one of the subjects is unlikely to be aware of mirroring, the action effectively causes a more harmonious interaction between the two parties because the point is to appease and magnify what is natural to the other party. Only this, in Bandler’s system, is achieved consciously by one person, leaving the other vulnerable, unaware of the actions towards them as the unsuspecting participant.This is almost always to the advantage of the user of NLP. Yet this is oxymoronic for the fact that the unannounced study of the character can also be seen as manipulative and lying by omission.

There is definitely an agenda. Yet there is truth in the actual reflection of the person evidenced by the harmonic result.  Without external observation, we cannot easily know our selfdom, yet this reflection does appear subconsciously in subtle, peripheral ways within nature. Analogous to a rhythmic dance you can see the lovely tone is set and then nature follows.

NEW YORK - FEBRUARY 06:  Amanda Lepore prepares backstage at the Heatherette Fall 2007 fashion show in the Tent during Mercedes-Benz Fashion Week at Bryant Park February 6, 2007 in New York City.  (Photo by Bryan Bedder/Getty Images for IMG) *** Local Caption *** Amanda Lepore
Amanda Lepore

Continue reading

“Seriously? Or are you kidding?” Westway Rabbit Hole Deepens

Background and context: Click here, here, here and here

After our recent interview with Westway Trust, this conversation took place:

Tom (slapping table with hand): “I think we’ve written as much as we can about this Portobello redevelopment. Let’s move on…”

Angel Lewis: “Yeah, there are so many topics we can write about, (gazing in to the distance) the whole human experience is open to Urban Dandy…”,

9th November, two days before the Westway23/Westway Trust public meeting at the Tabernacle, text message Tom to Angel Lewis: “WT have now pulled out saying they couldn’t guarantee the safety of their staff”.

Reply: “Seriously? Or are you kidding?”

Reply: “That’s what a guy handing out flyers just told me”.

We were forwarded an email exchange between the parties that confirmed that Westway Trust had decided not to participate, one of the reasons being cited was indeed the “well-being” of the WT staff, and they had instead suggested meeting a small group from Westway23 in order to provide more detailed responses to their concerns. No explanation for the sudden security concerns was given, nor was an apology.

Toby Laurent Belson, Artist/Designer/Organiser at Westway23 told Urban Dandy: “It is a degrading statement for them to make. I am personally insulted by the suggestion that any member of the Westway Trust would be unsafe in the midst of a community meeting I have been a part of organising, taking place at one of this area’s most venerated and well-run venues. I have attended countless meetings in this community in which I have only ever seen a put-upon community respond to issues with consideration and passion”.

He explained that W23 still received no apology. “Neither myself, nor any other member of Westway23 or its supporters, have received any reasonable explanation, let alone an apology for it, despite clearly communicating the distress it has caused”.

The joint meeting that never was
Flyer for the joint meeting that never was

We asked Councillor Pat Mason, who is the Labour Group’s representative on the Westway Trust board, what he made of the no-show decision and whether it was symptomatic of a deeper malaise at the Trust. He told us: “I advised the trust Chair and Chief Executive to attend the Westway23 Tabernacle public meeting, saying they should not operate in a vacuum without the input of local people and without giving people the right to ask questions, scrutinise their actions, and to suggest what strategies the trust should follow for the future.

“Unfortunately, they decided not to attend because they are locked into the belief that local people should be commenting on and suggesting improvements to the trust’s proposals and strategies, rather than accepting that local people do not support what they are doing and have a completely different vision for their area. So any kind of strongly-voiced opposition to what is being proposed is experienced as unpalatable by trust directors”.

“This disconnect with the community is a historical problem born from the hijacking of the trust by Kensington & Chelsea Council from its inception and used as a vehicle to advance Council regeneration policies and to prevent real community representatives and groups, who were always branded as trouble-makers, from managing their own assets and making decisions beneficial to their communities.

For several decades, the trust has been run as if it were a castle bordered by a moat and peopled by the Council’s grandees who have ingrained their philosophy of neo liberal top down decision-making on the organisation which is a hard mould to break. The trust now has less Community representatives and elected Councillors, and more professional appointees on its board than it had a year ago. It was set up to go down the corporate route and that process will continue unless the local community backs up its wish for an alternative vision with real actions”.

Westway Trust send Urban Dandy this statement: “We took the difficult decision to withdraw our attendance from the meeting organised by Westway23 as we believed attending would not lead to constructive outcomes. It is unfair to expect someone to attend a meeting not knowing who is presenting alongside you, what the agenda is, who the audience is, who is facilitating or how it will be managed.

Having a community meeting is very positive and we support the principle, if you know the details and what to expect. We were informed about some of the details of the meeting from the Press ahead of being told by the organisers. There was always an air of mystery to the meeting, which did not encourage staff to feel confident about attending.

Westway Trust regularly liaises with more than 70 local groups and working with a small group of leaders, who have proposals to discuss, has proven to be the most productive way to make progress. We remain keen to have a meeting with a group representing Westway 23 at their earliest convenience.  

We are committed to working collaboratively and positively with all local groups, including Westway23, and want to encourage those that attended the meeting on Wednesday to bring forward their ideas for improving the estate so that we can find a mutually beneficial approach.”

W23’s Toby offers a different route forward: “At some point an organisation set up to consider and listen to the community must do just that. It cannot continue to play politics and bury its head in the sand as people’s lives are threatened ever more seriously by economic and environmental realities. It cannot continue to treat people as idiots on the subject of their own lives.

Wounds, injuries, pain and injustice do not disappear through ignorance or denial. They only bury deeper and spread wider. Without beginning a fundamental process of healing and reparation, the damage simply continues down through generations. In my opinion, that is what we are seeing here and a genuine healing process is what Westway23 have been set up to assist our community in going through. We are trying to be open and honest and shine a light on uncomfortable truths that will hopefully reveal a better, healthier, more nourishing future. I hope the Trust can come around to being a part of that future and put the skills they do have behind those of the local community”.

13th November email, Tom to Angel Lewis: “I’ve written it up, but what would be a good way end to the article?”

Reply: “I dunno…we can say anything, we’re Urban Dandy…”

by Tom Charles @tomhcharles @urbandandyldn

Urban Dandy Meets Westway Trust

“To bring high street chains in to the area would be commercial suicide”

Our burgeoning blog has been full of reports of high levels of gentrification anxiety in North Kensington recently. London in 2015 has seen a new strain of hypergentrification take hold, one in which the victims are expected to stand impotent and mute watching their communities being transformed in to something different in which their needs are not met, but those of other, wealthier, groups are. Fears abound that North Kensington is going the same way as Brixton.

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In this climate, The Westway Trust published its proposals for the mile of land stretching under the brutal A40 which dominates and darkens the area from Acklam Road down to the riding stables at Latimer Road.

Westway Trust's initial design
Westway Trust’s initial design

Westway Trust are custodians of the mile, entrusted with making it work for the benefit of the local population. But the community group Westway23 has accused them of an “abuse of power” and an intention to betray the area by accelerating the gentrification process.

We wanted to put W23’s concerns to the Trust and give them a chance to give their point of view. We also wanted to explore the context in which the changes will be made and look at the limits imposed on local people by global forces.

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We sat down with Phil Dibsdale, Senior Development Consultant of Westway Trust, who is heading the Trust’s programme of changes. Phil explains that he is born and bred in the area and remembers watching from his bedroom window as the Westway was erected.

Phil was joined by Martin Oxley, Head of PR and Communications. Our questions were plucked from our articles on the Westway23 protests, as well as some that arose in conversation:

Q1. Will you build ‘tired, top-down developments that could be anywhere in the world’?

WT: ‘We hope not. We hope to avoid that. Of course, we have to abide by building regulations and standards to ensure safety. We also have to work with TFL, who have a vested interest in what we do. But we’ll ensure that what we build has lots of uses, including on the Acklam site, which is currently underused.’

Angel Lewis @ Urban Dandy: ‘With Acklam, I grew up with it being a hub of hip hop, parties and graffiti; bands came up there who went on to be big. I went to the US for a few years, and when I came back, it was fenced off’…

Q2.  What became of Acklam Hall and the playground? Are the fears expressed of a repeat of this history justified?

WT: ‘The playground was closed for health and safety reasons.

Acklam village is not commercially viable, Monday to Friday. It only has a license until 9pm and no sound proofing. The skate park, which is very successful, creates noise that bounces off the motorway and the timber structures. It has a negative impact on its neighbours.

We want to see live music at Acklam. Our current plans for Acklam are to have four bays:

  • One will be used for market storage,
  • A second will be a shop unit,
  • The third, which will be one and a half units, will be for community and cultural events, a white cube where you can do anything,
  • The fourth will be similar to what is already there.

We want to protect our tenants in the shopping arcade. They will move across to Acklam while we refurbish the arcade. Then they can choose whether to stay there or return to the arcade. With the new arcade design, all the shops will have an outward-facing front. Currently, business is poor because very few people explore inside the arcade’.

Urban Dandy: Will rents increase?

WT: ‘Rents will resume at current levels, but we will introduce a profit sharing system to help Westway Trust recoup its outlay.

In the past, things have happened organically, but it needs to be organised with a business plan. There have been a lot of white elephants over the years.

But this is not about taking a capitalistic approach. All the money is reinvested in the community. Of our 120 tenants, only one, Sainsbury’s, is a big high street chain, and it brings in a lot of money’.

Urban Dandy: But isn’t a Waitrose going up right opposite Sainsbury’s?

WT: ‘The council controls that building’.

UD: What they were saying on the Westway23 protest was: “What’s happening within the language is what was happening when Acklam Hall was closed. Words like ‘regeneration’ should be a warning to the community.” That’s the most specific thing I have heard: it’s the same language again and they lost those two venues previously, so are the fears expressed legitimate?

WT: ‘Obviously I wasn’t around then, so I can’t comment on what was said back in those days but obviously what replaced those things wasn’t properly built buildings they were for temporary uses and made without a strong business plan. That won’t happen this time’.

Q3.How aware is WT of the social cleansing going on locally? Do WT’s plans include anything that will offset it and help unify the community?  

WT: ‘There are limits to what Westway Trust can do. We maximise the number of opportunities we can give to local people. We are creating 200 jobs, we’re keeping local businesses going and we have an apprenticeship programme.

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The area was actually originally built for the gentry, with those big Victorian houses but then became a poor area. There is a recognition that demographics are changing in the area again. Demographics are always changing and we have to serve everyone in the community’.

Q4. How will local people be involved, aside from attending consultations?

WT: ‘Westway23 were invited to meet with us but didn’t turn up. They can be involved, but we will listen to the ideas generated by the consultations’.

Urban Dandy: You mention invites to the community to take part in the planning process; are you taking steps to attend and become part of the community’s groups and events?

WT: ‘Our Head of Culture and Partnerships is Lynda Rosenior-Patten and she is very active attending events, meeting people and organisations in the community. We have lots of partnerships with local groups and we use as many channels as we can to gage opinion.

If we were private developers, we’d have started the building already. But we have a democratic governance structure which means that community groups are represented. Westway23 were encouraged to sign up’.

Q5. Which groups are your priorities?

WT: ‘Our priorities are the people most in need and supplementary schools. The original area of the Trust was to benefit Kensington and Chelsea as a whole, but I think everyone can see that it is the North of the Borough that receives all of the benefit.’

Q6. Why didn’t you consult the community before drawing up the original plans?

WT: ‘From 2011 onwards we held consultations to establish the tone and parameters of the changes. There has been a lot of consultation and we then chose to put something out there, rather than just a blank sheet of paper. It was the culmination of four years of consultations’.

Urban Dandy: It can seem quite cold, as a resident, to receive a document with artists’ impressions of the plans. It’s easy to feel indifferent about it.

WT: ‘If people are just angry or against us, they can’t have that influence they want. We have spoken to hundreds of people and our Cultural Manager is talking to people with heritage in the local area.

Dialogue has to come both ways.’

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Q7. What kind of feedback have you received?

WT: ‘A huge range. From the traders’ survey, we saw that people are desperate for change. Although not all of them filled out the survey’.

Angel Lewis @ Urban Dandy: There is a perceived division between the trust and the local community; if that division is bridged it may feel more like one organisation. Myself, looking at your brochure, I don’t feel included in this, it appears done, dusted and complete.

WT: Well you’ve got to be in it to win it, you’ve got to have your say and this is your chance to have your say.

Tom @ Urban Dandy: I went to a public meeting with the Kensington Aldridge Academy and they wouldn’t answer any questions in a straight forward way, and people were getting angry – they felt that they were being given spin instead of answers, what has been coming back to you from the public? 

‘There’s been a huge range of feedback from people saying “why haven’t you done this already?” particularly the traders and local business owners, to people saying “don’t do anything, absolutely leave it alone”.

Over the last nine months with seven months’ of consultations going on, most people have recognised there is a need for improvements and that the market needs to be supported. But they are mostly concerned with keeping the character of the area. It’s difficult, it’s evolved over 100 years so when you try to build something with that character from scratch it’s not easy, but if we can build something with the look and feel of Portobello then it should evolve and people will grow to taking it on board.

The last seven months’ of feedback has proved to us that there’s consensus for change locally’.

Q8. Will flats for the rich and retail units for the middle class be built?

WT: ‘It depends what you mean by rich. There will be 12 flats built to be sold at market rate. This is for financial reasons, Westway Trust raises money for its community projects this way.

As for the shops, they will all be really small. To bring high street chains in to the area would be commercial suicide. People can go to Westfield to get all that stuff’.

12 affordable units is not going to change the tide of affordability and won’t make a great amount of difference to the area. They will look like what is already here. If it were the development on a large scale, like 250 units, then it would.

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Q9. How do you feel your ability to fulfil your original mandate is being affected by gentrification and capitalism?

WT: ‘Westway Trust has to represent the whole community democratically. We have programmes to target those most in need. The public realm should make everyone feel safe and welcome.

But there are limits. Health and safety regulations have sterilised children’s play areas and brought about a lot of banality. There’s less sense of adventure’.

Urban Dandy: And gentrification?

WT: I don’t feel constrained by it, it’s one of those waves you can’t stop unless you have government intervention. Gentrification makes my job more of a challenge, and I recognise that for local people it is a real threat’.

Q10. The idea of a ‘village’ is not popular with Westway23 and it does seem a bit tired – any comment?

WT: We found some references to the area as a ‘village’ in documents written 20 or 30 years ago. It was only ever a working title for consultation purposes and it definitely won’t remain’.

And our time was up, we had to vacate the room for more meetings. A conversation that could have run all day ended, but as we packed up we had time for one more question to Mr Dibsdale: ‘Do you still live in the area?’

His reply: ‘I don’t. I can’t afford it to be honest’.

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Phil Dibsdale. Regeneration and property development
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Martin Oxley. Interim Head of PR & Communications

by Tom Charles with Angel Lewis

@tomhcharles  @urbandandylondon @Iam_Angellewis

The Wisdom of Truth.

What is Truth?

I’d like to think that our expression on UDL (I loved UDL) is often in the spirit of truth that compels the uttering of facts regardless of the consequences. As you may know, the job of a scribe is just that; Similar to a court reporter, to witness, record and express just what it ‘IS’ without alteration regardless of the influence of the surroundings. This is even at a time when most can’t and won’t see beyond their fear and contribute emotionally in the hope of thwarting the consequences of REALITY.

To do this work is a gift that the inner relief felt to be a reward worth every ounce of pain endured. At times though, I well wish I didn’t have what I call mild Tourette’s syndrome. It’s like a shield for the murderers of truth and their shortsighted ways. Some even liken the truth to a two-edged sword but often the casualties of its wrath invested in the injustice of their scheme while covering their eyes, acting as though that awful day would never arrive.

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Because of its damaging effect on lies you can see why there are sayings like; ‘… you can’t handle the truth, the truth will set you free’ and ‘the truth is bitter to taste but sweet to swallow’.

The foundation of truth is firm and unbreakable, whereas lies are on shaky and temporary ground. Some scriptures use beautiful metaphors using other species, animals, and states of being even though the point is most often missed.

Take for instance the condition of a spider making a home out of its web. It is merely a matter of time until it is fractured or destroyed, having to start over, again and again. But more importantly, few consider the stresses that the spider lives to endure, not knowing if the next disrupting vibration is an attack, potential food or just simply the wind. This parallels the fear of a deceptive scheme being penetrated when living a lie.

It takes little imagination to know that a creature/spider can never really rest since, at any moment, there will be an unpredictable disturbance.  It and its abode may be gone in an instant or carried to a new location just because somebody got their face in their business. The spider’s home is external and that is precisely the point; like the self-inflicted stresses that words, from outside of the true self, create on the traducer – always on edge expecting an attack at any moment. Words such as ‘rest assured’ do not exist in that un-reality. Such a weak foundation is without a centre or any true support, merely existing in a 3-dimensional delusion that holds as a temporary space-time moment, marking only a half relevant event in time similar to a tattoo.

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If I were religious at all I would strongly suggest Tehuti of Kemet, more widely known as Hermes or Thoth of Egypt, to be UDL’s patron saint and every organisation for that matter. The god is known to record whether or not a feather will outweigh the heart of the object passing from life to death. This is in order for it to become a contributing part of the cosmic family from its organic state, onto the ethereal and back again.

Most living organisms adhere to such because, in innocence their language remains pure, straightforward and static. Yet humans…oh humans…some are most comfortable with performing word acrobatics, not for entertainment purposes but to twist the pure words and change the nature of actuality with verisimilitude.

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If it’s not poetic it is a lie.

Yet truth is not a word for an over-active ego that would use the sanctity of the audible symbols or ‘ spell-ing’ to conquer and defend a point without care or concern for our shared cosmic justice. No, truth is for the wise and the mindful. One may see truth as more of a preservation of the soul or a stargate rather than a way to wax the ego, knowing that, beyond the exoteric eye, there is the unseen eye that becomes manifest as judge, not at the beginning of the issue but at the end or what we can call the transformation, just as it is portrayed in the Book of The Dead.

The idea of a subjective truth is more western dribble, a breeding ground for lies, transforming the heart to impedimenta sinking the Soul to a base 3-dimensional return, where the gift of words are no longer there to use, giving meaning to the statement ‘lost for words’.  You can just imagine a gazelle observing two human mouths chattering away staring puzzled with a feeling of familiarity. He reminisces, having this cosmic déjá vu moment, before being gorged by a local predator that also speaks a foreign language where each sound means only one thing, death!

For the poor animal it would take multiple life cycles to understand the subtleties of our verbal communication which may well have been the preserver of its life, but we, having the privilege of this communication, this gift of sound, we choose to abuse it. Yet within all of this thankfully some do see a gift, the gift of a psychological bridge to reach all amongst the other animals. If the Jungle community could intellectualise with their peers, maybe they may see a reduced rate of mortality over time, for being able to verbalise and rationalise each creature’s basic needs, emotional direction and concerns in the most intricate detail. Yet here, this man with all of this ability and potential stands disconnected and abusive towards the beautiful gift of word communication and uses all this as a weapon for his egotistical needs.

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I have to recognise that my deep love for music and poetry stems from experiencing this pure expression of truth, we are like poeticians, standing by what we have felt. In historical religious doctrine, you will find subtle allusions to the poets and artists of old. Clearly, we were despised for speaking the unadulterated language of the heavens; Metaphor. That’s the realm where there is no debate, it just is and it is known by it’s consistent, resounding results in all colours, platforms and dimensions.

Though this does contradict man’s philosophies, man’s opinions and their academic collections that are really nothing but recycled shrapnel from the purity of the dead poet’s message regurgitated.  And so the poets were demonised and faced with a few choices–be silent, change the message, or die. So here we are some silent, some transformed and some dead.

Even at a time of desperation and gross, terrific, political turmoil, words of truth are still for sale. But the voice will return only when elevated thought can rise up to the top-floor beyond interruption from the selfish ego and it’s continuous pressing to join the party on the journey up, and so return to earth with unadulterated sound vibration.

Maybe there’s a Karmic link that justifies Maat’s weighing of the heart with Tehuti’s taking acount. Maybe (I say with full knowledge) the incarnate is received through the justice of its own past actions in respect of living truth. It could be that there is a pecking order based on this honesty and we lose what we have abused. Or maybe it’s all random and conflicting like earth beliefs and there is no cosmic pattern?

In respect of all that, here is an interesting and passionate challenge that happened last year. Richard Boyd Barrett a TD (Teachta Dála) for the Dún Laoghai Irish parliament has (what appears to me) an inward experience and incredibly releases about 60 years of history in just about 6 minutes of poetry, brandishing the truth and putting everything on the line.

I warn you, some may want to cover their ears and effectively continue the warping of the unrestrained heavenly chords but one way or another the impact of truth being aired, regardless of the consequences, lightens your load.

 

 

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By Angel Lewis Twitter @Iam_Angellewis