North Kensington in West London changed forever following the Grenfell Tower fire disaster of June 14th this year. Already known for its street art, the area’s walls have become a canvas for tributes to those lost in the fire, a space for free expression and to vent rage, without a media filter. A semiotics expert and local resident, Chris Arning, looked at the possible meanings and genesis of a striking example of post-Grenfell North Ken street art…
What is Semiotics?
Semiotics derives from the ancient Greek word semion, meaning ‘sign’ and is a subject devoted to evidence-based analysis of signs and meaning. It is a field that encompasses culture, communication and meaning and includes logos, branding and street art.
North Kensington is replete with street art. Of course there is always a flurry of artists before carnival every year, but since Grenfell in June, a lot of other types of pieces have appeared: the modified London Underground Love sign and a great Grenfell RIP on the corner of the Acklam Road on the left as you turn off from Ladbroke Grove towards Portobello – done, I think, by Code FC. Street art is the medium and message of anonymous resistance. It is done to show that whatever the official story, the streets is watching and people know what is going on – sgraffiti means ‘scribbilings’ (from the Italian sgraffio, to scratch) something that goes back at least to ancient Rome.
On the way home a few weeks ago, I happened upon a strange sign on a wall off Powis Square. It sort of stopped me in its tracks because there was an uncanniness about it, both familiar and eerie. I’m writing a book on semiotics at the moment, as you do, and I was intrigued so thought I’d take a pic and have since pondered what it might mean. I deciphered the letters tangled up together as RBKC. This is the old logo of the Royal Borough of Kensington and Chelsea. You can still see it on some of the street signs of the borough.
I have reproduced the street art above, alongside an embossed version on a local street light.