During the Easter holidays, Urban Dandy held its second writing and poetry workshop for 20 children from across Kensington and Chelsea at Canalside House on Ladbroke Grove.
In collaboration with Baraka Community Association, Urban Dandy delivered two one-hour sessions. The first hour was on self-expression through writing with skill and purpose. The children discussed the importance of language, and the motivations behind the words they choose.
They looked at different types of writing, tone of voice and having a clear aim. The children also learned key techniques such as planning, finding a ‘hook’, writing with depth by backing up arguments and valuing and nurturing their own voices and opinions.
The young people then wrote their own pieces, which ranged from articles to adverts.
The second hour was a poetry workshop. The children heard from Urban Dandy’s Mark Bolton, who read some of his own poems and recited the famous ‘I Am Somali’, written by the poet Yam Yam. Mark outlined some of the techniques he employs in writing his poems, but again the emphasis was on the children’s expression of their own thoughts and feelings.
Each child then wrote and read out their own poem, with their styles ranging from conventional to acrostic to haiku, with the participants receiving warm applause.
We will showcase some of the children’s work here soon. For more information on Urban Dandy’s workshops, contact us via our Facebook page.
During half-term, Urban Dandy delivered a writing and poetry workshop to children at North Kensington charity Baraka Community Association. Eighteen children from local primary and secondary schools attended and explored methods for self-expression through writing short articles and poems.
As it was the 14th of the month, children considered memories and feelings evoked by the Grenfell Tower fire, eight months on. The group mind mapped their experiences during and since the fire. They then shared their memories of that day and how they have seen it affect their community, from the surreal experience of attending school on the 14th June to how people coped over the long summer.
Producing a piece of writing, the young people were free to choose their subject. Many went for Grenfell, but others wrote on other aspects of their lives. In both cases, the focus was on expressing ideas and feelings from their own experiences, rather than conforming to ideas about what they should write.
As the workshop was designed to be off-curriculum, the children heard about finding their voices, how to have a real impact, identifying a ‘hook’ for their pieces and writing for an audience, not a teacher.
London’s finest poet, Mark Bolton, then explained the process of writing poetry, and his own poetic journey. He read out his first ever composition, followed by the much more recent Aisha and the Sea, which was written in the aftermath of the fire.
Inspired and encouraged to open up, the kids then set about writing their own poems, and the workshop ended with everybody reading out loud what they had produced.
A number of the children took their work away to develop it and complete it. We hope to be able to publish a few pieces on Urban Dandy soon…
“In the heart of the Urban Dandy is the fate and the conflict of the bohemian, to become preoccupied with the things he/she shuns – materialism and money” (About Us)
Descriptions like this can be traced back nearly two centuries when the word ‘Bohemian’ was first used to define those who didn’t fit the mainstream, bourgeois view of respectable living.
Mid-nineteenth century bohemians were those associated with alternative lifestyles and world views, engaged in the arts, writing and philosophy. They were united in their rejection of bourgeois, materialism trivia and sentimentality. What was respectable to the bourgeois was, to the bohemians, banal.
The thinker Alain de Botton describes the “martyr figures” of the bohemian value system as those who “sacrificed the security of a regular job and the esteem of their society in order to write, paint or make music, or devote themselves to travel or to their friends and families”[i]
By favouring sensitivity over worldly attachment, bohemians found themselves destitute, unable to reconcile themselves to spending their time and energy in service of a job they loathed to secure comfortable material lives. They looked elsewhere, forming their own subcultures and alternative movements.
But while mainstream society has its status symbols (peerages, job titles, awards, bling etc.) the bohemians’ status is attained through social skills, poetry, choice of reading material and company kept.
In the 1800s, society reported only bourgeois achievements and alternative heroes were seldom seen. The bohemian response to this freezing out was to try to shock respectable society out of its complacency. The Dadaists and Surrealists provided alternative voices to the prevailing narratives of social conservatism and fear of difference. Similarly, the Beat poets challenged a culture dominated by those who believed society offered a just reward system.
Bohemians tend to gather in ghettos, a survival instinct and economic necessity. Inner city areas with low end rent have been the focal point, potential havens of freedom, liberation and creativity.
All well and good, but any Bohemian must operate within the laws of the land. And so, the fate of the bohemian is still to become preoccupied with what is ostensibly shunned: money and material comfort.
In North Kensington, a wind chill factor of poverty blows in. Over half of the Borough’s children attend private schools, while 41% of their peers live in poverty. Boho? Many of those who had enjoyed a degree of material comfort and predictable security can no longer rely on this. And the society is more atomised and less community-based than ever. The future is uncertain.
Under an entirely unnecessary sham economic policy called ‘Austerity’, brutal class war is being waged. For those leaving university with five figures of debt, fulfilling their life’s purpose and building a community that enables people to realise their own individuality is not an option. Neither is debt slavery an economic benefit to the country; it is a deliberate, class-based political decision.
The result is best articulated by Oscar Wilde: “There is only one class in the community that thinks more about money than the rich, and that is the poor. The poor can think of nothing else. That is the misery of being poor”[ii].
The confusion of the value of a human with the monetary value of what they possess has led the majority into tedious, demoralising work in a bid for respectability. Wilde said that our society has been constructed on such a basis “that man has been forced into a groove in which he cannot fully develop what is wonderful, and fascinating, and delightful in him – in which, in fact, he misses the true pleasure and joy of living”[iii].
And this is the dilemma of the Urban Dandy; it is what is inside them that enriches life. But they must live outwardly. And that is why, in our hundredth post we declared our intention:
“Identifying with the downtrodden, the poor and the dandies, the human, those who won’t back down and those that capitulate under pressure”.
A final warning: Beware of the word Bohemian now. It has been bastardised, called Boho…Tory Bohemia
Been the king of Notting Hill, Lord of Ladbroke Grove
Seen new money flooding in, pretentiousness exposed!
All about the bag you hold, label inside your clothes
Even though it’s daddies cash you wanna be boho!
Without a picture painted, book or verse
A modern day hippy – but in reverse!
The queen of hearts has marked your card
Like me seen through the looking glass
Oh! Alice dear you’re lost in space
What’s really happening to this place
But Alice dear -don’t you understand
For most of us it’s not wonderland!
Poem by MC.Bolton, 2015
[i] Alain de Botton, Status Anxiety, Penguin (2005), p. 280
[ii] Oscar Wilde, The Soul of Man Under Socialism, in The Complete Works of Oscar Wilde, p.1180