“Colours of Africa”: It takes an art auction…. 3.5*

An edited version of this review has appeared on MyVillage.com
An inspiring and moving art collection sees the Tabernacle’s boutique gallery plastered floor to ceiling with colourful sketches and painting.  These disarming works are unique, refreshing and offer an uncontrived view of Ugandan village life. The images created by the children of Masindi are in London as part of an educational fundraising effort that ends 24 September 2011.

Red Sky as Sun sets behind acacia tree

Colourful painting by Vanny Aheebwais
An Aheebwais Original

Numbered pictures are accompanied by delightful business card mini profiles with pictures of each artist.  Bios include informative gems such as talented 12 year old Vanny Aheebwais does traditional dance and wants to visit London or self-taught 14 year old Peter Guma creative, experimental and hoping to study art at University.

Works are “sold” by silent auction and tagged as bids are received so you can see if there is competition.   The money (minimum bid 20£) contributes to a good cause and the winning bidder leaves with an original piece of African art.  A drinks evening will be hosted September 24thallowing for last minute offers and the announcement of the winning bids.

RedEarth Education provides teacher training: devising methods and strategies for the classroom with guidance manuals so that trained teachers can share their skills and cascade learning.  The current fundraising effort is for the construction of a “Teacher Training and Resource Centre” and the establishment of the first ever Ugandan Nursery Practitioner model facility.

Fruit outline on striped yellow and blue backgroundPick up an original at a snip or, for those with the means, dig deep to empower a worthwhile programme.

Additional works are available for immediate sale.

Until 24th September The Tabernacle
Powis Square, Notting Hill, London
W11 2AY

Heresy & Witticism – “Wittenberg” @ The Gate Theatre 4*

David Davalos’ Wittenberg centres around whether “to believe or not to believe” with undecided scholar Prince Hamlet in the crossfire of wits as Theology lecturer Martin Luther and Philosopher Dr Faustus go head to head arguing the case of religion against humanism.

Luther (Andrew Frame), Hamlet (Edward Franklin) and Dr. Faustus (Sean Campion) – Photo Tristram Kenton

The tug of war between colleagues on matters of faith versus philosophy is earnest and entertaining –Sean Campion’s Faustus declaring the Bible a source of answers for Theologians and questions for Philosophers.  The pub-crooning Faustus – twice a week at the Bunghole – mixes philosophy, medicine and women in his bon-vivant approach to life taking evident pleasure in the needling of the intensely devout and dour Luther (Andrew Frame).

Faustus Entertains – Photo Simon Kane

Davalos’ play sees Hamlet’s mental house thrown in to disarray not by scheming relatives but by an inability to reconcile Corpenicus’ theory of the sun at the centre of the solar system against religious teachings.  The tattered tennis playing undergrad (Edward Franklin) is unable to square hierarchical faith against scientific proof yet it is Luther’s own doubts about Rome that are at the true heart of the production.

Frame, Sophie Brittain as The Eternal Feminine” and Campion – photo Simon Kane

Rome grows wealthy through the sale of forgiveness leaving Luther struggling with his beliefs and loyalty to the papacy.  Staunch faith and argumentative intellect are crippled by the self -serving financial objectives of the Vatican opposition to which is sacrilege.  These weaknesses are seized upon by the mocking Faustus who accuses Luther of “abandoning the patient for the cancer” it is game on between the two worthy opponents.  The debate between Faustus and Luther is bawdy, inflammatory, the perfect storm of animosity and grudging respect as the actors deliver fiesty performances.  The production comes into its own during these sequence as Frame & Campion ignite a drolly feverish battle of wills and wit. Humours needling and hot tempers flare

The play, peppered with so many literary references, verges on coy yet Christopher Haydon stages a spirited UK premier that is never bogged down by its own cleverness. This Gate production is a thinking man’s affair wrapped in a cloak of hilarity.  Come for lascivious pub crooning, lap up the “brau” fuelled debates and prepare for the cold winds wrought by the choices of men.

Until 1 October 2011
Gate Theatre
11 Pembridge Road
London W11 3HQ