In Quest of Conscience: History lost in Translation @Finborough Theatre – 2*

by J. Cavanagh

In Quest of Conscience brings the interviews of extermination camp Nazi Commandant Franz Stangl to the stage.   An intriguing, devastating subject matter yet Gitta Sereny’s interviews, so real on paper, translate poorly to the “boards”.

The four-piece production, made up of Stangl (Martin Buchan), Sereny (Phillipa Peak) plus a male and female chorus (Patrick Knowles & Siubhan Harrison,) fails to augment the text in this adaptation. Stangl’s reflections on his time in command of Sobibor and Treblinka come across as impersonal.  Buchan and Peak do their best to channel their characters but their efforts come across as “acted” and at times under-rehearsed.

The simple set with the leads in conversation across a table from each other in the Dusseldorf jail following Stangl’s extradition from Brazil could provide a stark contrasting backdrop for strong emotion.  The chorus re-enact scenes from Stangls’ past re-creating third party memories: his wife in interview, a priest, a daughter, etc.  The chorus is an effective tool – accent challenges aside – and the play would benefit from Stangl interacting with his revisited past. The chorus, Knowles in particular, energises proceedings but more is required to bring this death laden play to life and connect us to the horrors committed and rationalised by this man.

Finborough Theatre
118 Finborough Road
London, UK, SW10 9ED
http://www.finboroughtheatre.co.uk/

Sundays & Mondays until 28 June 2011

Running time: 1 hour 30 minutes including interval

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